Posts Tagged ‘Big Brother

TV Talents Out The Door

Friday, January 29th, 2010

1So Simon Cowell is leaving American Idol, Jonathan Ross is leaving the BBC, Conan O’Brien is set to leave NBC and Archie Mitchell was killed off from Eastenders – so therefore left little choice. I mean, where are we going to find people who want to be on television?

Amid intense speculation over his next career move and Jay Leno’s widely criticized return to late night, O’Brien stepped down as host of The Tonight Show to his biggest audience ever. The final episode attracted 10.3 million viewers, with final guests including some actor named Tom Hanks and a curly, ginger comedian apparently called Will Ferell.

Cowell inked a deal with Fox earlier this month that will end his American Idol judging role. “We reached an agreement formally at about half past 10 this morning,” said Cowell, who confirmed his new deal in front of reporters at the Television Critics Association’s press tour on Monday, Daily Variety reported.

Wossy announced he was leaving the BBC after 13 years working for the corporation. As the BBC’s highest paid star (by some distance), he said in a statement that he had decided not to renegotiate his contract. The presenter added his decision to leave was not “financially motivated”.indianidol

Apparently, both Britain and America have new talent though, or so Cowell, Piers Morgan, Amanda Holden, David Hasselhoff, Sharon Osbourne and Howie Mandel (it’s okay, I’ve never heard of him either) keep trying to tell us.

Of course, when one door closes another one opens, and just because such TV powers are moving on does not mean we’re left empty handed, lacking sufficient prime-time personalities and missing pizzazz. There’s baggy entertainment whose sole purpose it is to both find new talent and to exploit those who were once famous (or at least to have supposed to be. It all depends on whether you read Heat magazine or receive daily alerts about wags and Z Listers). Big Brother, All American Girl, I’m A Celebrity, Fear Factor, The Amazing Race, Survivor, all create entertainment, albeit in a very different manner than the TV judge or talk show host. There’s even Indian Idol now, already in its fourth season.

So, while the big earners are moving on to pastures new (personally I’d opt for an early retirement), there’ll always be those trying to discover new talent. Uncovering individuals, who, may never have long and successful careers at the worlds leading networks, but in the search, will create light entertainment for the millions who will watch it. Fame and celebrity is constantly being stumbled upon, but very little of it is truly sustained.

Wossy’s Gone: Are multi-million pound TV contracts a thing of the past?

Friday, January 8th, 2010
Jonathan Ross: a colourful personality.

Jonathan Ross: a colourful personality.

So, Jonathan Ross is set to leave the BBC. We’ll miss him. Despite his loquacious manner and entertaining wit, his last four years at the Beeb have been notable for the array of infantile pranks and borderline crude interviews. As The Daily Mail comments, “in his manner of leaving at least, he has finally attained a degree of dignity.” Ross’s announcement that he had decided not to renegotiate his contract with the BBC was uncharacteristically measured and composed.

In truth, although the BBC will probably claim to be sad to lose their highest-earning star, there are likely to be “a few executives not too bothered about losing a man whose waywardness and multi-million-pound contract had become an embarrassment.”

Days before the confirmation of his departure, sources reported that Ross was concerned by the prospect of having his yearly pay slashed by £3million. True or not, he was the BBC’s highest earner and many at the BBC were said to have cheered on hearing the news of his decision not to renew his contract. Perhaps there is now a new pot of money available to fund new talent, dramas, comedies and documentaries?

Outside his London home, Ross told reporters he “would have liked” to stay at the BBC. He continued, “It has been a great 13 years at the BBC. I think it’s not a bad time for me to move on. It’s possibly not a bad time for them either.”

Though £18 million, three-year contracts for TV personalities are now firmly in the past, what we got from Ross was brash with a cutting humour and a wonderful talent. But is that deserving of the taxpayer’s money and £18 million? There is an argument to spend the money on discovering new talent, yet, does money equal talent? Is there even a necessity for talent on television? Reality TV leads the way in the ratings and Z list celebrities (if we can still call them that) actually make their living from such reality dramas. If Ross was host for Channel 4’s Big Brother and then moved on, would the show still draw in the millions, watching, gasping and cringing? Presumably, yes?

Life after Ross then is likely to be business as usual, musical chairs as Norton, Kermode and even Evans step forward to host the chat shows, radio programmes and film reviews. And perhaps Ross will still grace the screens to present the odd BAFTA or even Children in Need? Whether the BBC will see fit to grant a similar sized contract in this age of austerity is doubtful.

The Age of the Engaged

Tuesday, December 8th, 2009

As we drop the curtain on 2009 and look through the moody clouds and stormy weather to 2010, media strategists will be gathering to discuss what the New Year will have in store. The first decade of the ‘Noughties’ (00’s) has seen Big Brother rise and fall, social contact between friends and family grow increasingly virtual, and the general rise of the ‘always-on’ society. Whether Apple or BlackBerry, our smart phone delivers information and storage at our fingertips; anytime, anywhere (unless you travel on the South Eastern train from London Victoria around 18:18).
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So, the passing of Big Brother leaves an important legacy: the expectation of audience interactivity. Our highly-connected society now clamours to vote contestants in or out, throwing themselves wholeheartedly into the satellites of gossip, recordings, T-shirts and online applications. The challenge therefore for 2010 will be the alchemy now required to make commercially successful programmes; ride with what’s hot and to avoid what’s not. And crucially for the bottom line to make sure that all bases are covered: the SMS deal, the online advertising, the mobile application revenues, the recording contract rights share and so on…complicated.

In a year that has seen the need for potential advertisers to make every marketing penny count, the importance of brand positioning and targeting will surely be on their mind when it comes to working with both producers and broadcasters. Both the government’s acceptance of product placement and a brave new interactive world make that possible. So begins the age of the ‘engaged’?

Channel Four Evicts The House

Wednesday, August 26th, 2009

Davina McCallChannel Four has finally had to give up flogging the increasingly failing Big Brother which will have its last series next year.

Despite its poor ratings, Channel Four claims that it still makes money, but after ten years it’s declining appeal has finally made the channel decide next year, will be the last time someone leaves the Big Brother house.

Good news for drama producers though as the axing of the show means the channel will have its ‘most fundamental creative overhaul’ in its 27 year history.  It took that long?  And this means £20m will be made available for drama from 2011 and 200 hours of primetime to fill. A big surprise for indie producers as it was only a few months ago that it was announced that the channel was planning to cut drama to enable it to get back on its financial feet.  Drama being the most expensive programming to make.

Now they’re thinking of event dramas like Red Riding, The Devil’s Whore, along with quirky returning series for the younger audience.

It’s 9.03pm. In the bedroom, reality is no more, as fiction once again enriches the lives of Channel Four viewers.  Davina folds-away her slinky black gloves and northern voice-overs become a thing of the past.